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#cadence

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Public
Attila Kinali

Dear Fediverse,

I have an old, Allegro 16 .brd file that I need to look at to extract mechanical dimensions from. The free Allegro viewer doesn't support this fileformat anymore and asks me to use the dbdoctor, which of course, is not available in a free version.

Would someone be so kind to convert this file for me into something that either works with the Allegro viewer or into something that could be viewed with open source tools?

#allegro#cadence#electronics
Public
Torsten Frank

No new insight, but todays ride gives a good example: cycling route / green ways vs normal road. One is maybe nice but slow and not the best bang for your training time buck in terms of power on the pedals and time under constant load. The other makes you cover ground swiftly (routing for bikepacking racing) and with ease and least effort. And you get to see a lot of places inside your limited training time.

Intervals.icu screenshot of a cycling workout with power, heart rate and cadence pretty stochastic for the first half of the ride (cycling route, green ways) and smooth for the second half of the ride (back over normal roads).
#Cycling#power#cadence
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Johannes Hentschel

After a long wait I'm happy to announce that #Empirical #Musicology #Review just published our #data report on ~260 fully annotated #piano pieces from the long 19th century 🎉 I donate this #violin #plot to the @vagina_museum 😏 Thanks to our collaborators, annotators, and to my co-authors!

#dh #openaccess #scores #harmony #cadence #phrase #analysis #musictheory #corpusresearch #musescore #annotations #vagina #RomanticArt

data: github.com/DCMLab/romantic_pia
report: doi.org/10.18061/emr.v18i1.890

This violin plot shows nine pitch distributions side by side, each of which belongs to one of sub-corpora published in the dataset. Each distribution is plotted vertically as a violin spanning the keys of the piano indicated on the y-axis, outlining how prevalent each key is in the respective corpus. Since each violin also contains a box plot, and because all distributions are centered around the middle C4, the figure is vaguely reminiscent of nine vulvas in diverse colours. The composers are Ludwig van Beethoven, Frédéric Chopin, Robert Schumann, Franz Liszt, Pyotr Tchaikovsky, Antonín Dvořák, Edvard Grieg, Claude Debussy, and Nikolai Medtner, none of whom had a vagina (probably).
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